Отварам нову тему, јер не могу сад тек тако да променим праксу на старој. Она стара ће бити закључана.
Дакле, од сада, кад линкујете песму коју слушате, ако је качите са јутјуба скратите линк на овом сајту http://goo.gl/ . Тај линк се не ембедује овде и не кочи страницу. Изнад линка напишете име песме и извођача, као и жанр, чисто да мало проширимо сврху теме. А може и неки коментар испод песме шта треба да се ради док је слушаш да би угођај био потпун лоло
Значи, постови би требали да изгледају овако
Himalaya - Sleep жанр: Rock / Psychedelic / Shoegaze http://goo.gl/nkrlL слушати док гањаш ове пахуљице на јутјуб снимку
Pjesma o čovjeku koji je ostao zarobljen u podzemnoj željeznici u Bostonu, jer nije imao para da plati za izlaz sa voza. (Urbana legenda) Da naplaćuje se i izlaz i ulaz, kao u onom vicu, kad u Njemačkoj naprave pisoar gdje moraš platiti 2 marke da ga izvadiš.
These are the times that try men's souls In the course of our nation's history The people of Boston have rallied bravely Whenever the rights of men have been threatened Today, a new crisis has arisen The Metropolitan Transit Authority Better known as the MTA Is attempting to levy a burdensome tax on the population In the form of a subway fare increase Citizens, hear me out! This could happen to you!
Well let me tell you of the story Of a man named Charlie On a tragic and fateful day He put ten cents in his pocket Kissed his wife and family Went to ride on the MTA Well did he ever return? No he never returned And his fate is still unlearned (what a pity) He may ride forever 'Neath the streets of Boston He's the man, who never returned Charlie handed in his dime At the Kendall Square station And he changed for Jamaica Plain When he got there the conductor told him one more nickel Charlie couldn't get off of that train! But did he ever return? No he never returned And his fate is still unlearned (poor old Charlie) He may ride forever 'Neath the streets of Boston He's the man, who never returned Now all night long Charlie rides through the station Crying "What will become of me? How can I afford to see my sister in Chelsea Or my cousin, in Roxbury But did he ever return? No he never returned And his fate is still unlearned (shame and scandal) He may ride forever 'Neath the streets of Boston He's the man, who never returned Charlie's wife goes down To the Scollay Square station every day At quarter past two And through the open window She hands Charlie a sandwich As the train comes rumbling through But did he ever return? No he never returned And his fate is still unlearned (he may ride forever) He may ride forever 'Neath the streets of Boston He's the man, who never returned Pick it, Davey ... (kinda hurts my fingers) Now you citizens of Boston Don't you think its a scandal How the people have to pay and pay? Fight the fare increase! Vote for George O'Brien Get poor Charlie off the MTA Or else he'll never return No, he'll never return And his fate is still unlearned (just like Paul Revere) He may ride forever 'Neath the streets of Boston He's the man, who never returned He's the man, who never returned He's the man, who never returned Et tu Charlie?
Exit fares were used on the subway lines of the early MBTA in Boston, Massachusetts, as a cost-cutting method to be able to collect increased fares without having to upgrade fare collection equipment at station entrances. The perceived unfairness of this system (what to do with a passenger who can't pay the exit fare?) prompted Boston politician Walter A. O'Brien to commission the protest song "M.T.A.", which later became a hit song by The Kingston Trio. The last of the subway exit fares were eliminated from the Boston rail transit lines on December 4, 2006, with the implementation of the CharlieCard (its name a reference to the main character in the protest song). However, the MBTA's trackless trolley routes that used left-side boarding in the lower bus tunnel at Harvard station had exit fares because fares could not be collected during boarding. With the final two trackless trolley routes being converted to standard bus routes with boarding relocated to the upper bus tunnel at Harvard, exit fares were entirely eliminated from the MBTA system beginning March 13, 2022.1
Od Šostakoviča? Daj Pliduuu budi ozbiljan... Meni je konkretno najjača njegova 10. simfonija... Ove ostale nisam toliko slušao, sad ih tek istražujem... Evo jedno njegovo kraće djelo, koje je dosta poznato:
Evo jedna kontroverzna kompozicija koja je opisana ovako:
Music analysts and critics have described the Grosse Fuge as "inaccessible", "eccentric", "filled with paradoxes", and "Armageddon". Critic and musicologist Joseph Kerman calls it "the most problematic single work in Beethoven's output and ... doubtless in the entire literature of music", and violinist David Matthews describes it as "fiendishly difficult to play".
A reviewer writing for the Allgemeine musikalische Zeitung in 1826 described the fugue as "incomprehensible, like Chinese" and "a confusion of Babel". However, critical opinion of the work has risen steadily since the early 20th century and it is now considered among Beethoven's greatest achievements. Igor Stravinsky described it as "an absolutely contemporary piece of music that will be contemporary forever".
E evo šta je sam Betoven mislio o tome:
Despite the contemporary criticism, Beethoven himself never doubted the value of the fugue. Karl Holz, Beethoven's secretary, confidant and second violinist of the Schuppanzigh Quartet that first performed the work, brought Beethoven the news that the audience had demanded encores of two middle movements. Beethoven, enraged, was reported to have growled, "And why didn't they encore the Fugue? That alone should have been repeated! Cattle! Asses!"
Нека се напуше црначких курчева сви ови чевуови, мелкови, лабоквови и остали скелетори са њиховим гитарица, добра књига и мало пивцета музикама, ДУВАЈТЕ ГА ПЕДЕРИ!!!11
e taj lik je interesantan.imao je rak mozga valjda, kad se oporavio postao je dj.i 999999999 su bili dobri sad mi se ne svidjaju.ne volim taj hard techno/ali ovde su extra
Ovih dana - uglavnom sviram kurcu, za sitne pare. Bilo baš rodilo dok nije ovo sranje počelo, sad gomila gigova otkazana… imam po datum u junu i julu s nekim flitvud mek tribjutom i toeto. Sad se apskilujem, došao neki bubnjar iz Srbije ovde i shvatio sam da živim u kamenom dobu što se tiče semplovanja i odnosa prema radu uopšte. Jebote koliko je Balkan ispred nas u muzici to je za oplakati.
E da i sviram s nekom babom kantri za line dancing, ono s matricama lol, čevu propo.
Kažu najbolji Grčki pjevač... nešto kao njihov Toma ili Šaban:
Poslušao pjesmu "Ciganin sam al najlepši" i onda pitao AI koja je pjesma na engleskom sa najbližom tematikom. I on mi preporučio ovo. Svidjelo mi se na prvu, jako zarazna pjesma.
